2/27/2023 0 Comments Circle of fifths mixed in key![]() This relationship is why the chord progression (I-IV-V/C-F-G) is so common. What this also means is if you write a melody in C major, it will work musically with either G major, F major, or A minor. These two scales are further apart on the circle and have only one note in common. However, moving from C major to F-sharp major would sound jarring and strange. Because C major and G major are closely related, a move from one to the other sounds smooth and logical. ![]() While C major and A minor share all seven of the same notes. C major and F major also have six shared notes. For example, C major and G major have six shared notes in their scales. Keys and scales close to each other on the Circle of Fifths are harmonically related because they share common notes. That puts the song in either A-flat major or F minor. Similarly, if you see four flats (A♭, B♭, D♭, E♭) in the scale, start at C and move four spots counter-clockwise. You’ll find that the song is in either A major or F-sharp minor. Second, move that many spaces around the circle starting at C.įor example, if you see three sharps (F#, C#, G#) in the scale of a chord progression, start from C and move clockwise three spots. First, count the number of sharps or flats in the scale. ![]() You can quickly figure out what key a song is in with the Circle of Fifths. The Circle of Fifths is an excellent tool for learning and applying music theory concepts. ![]() Whereas moving clockwise around the circle adds sharps. Also, moving counter-clockwise around the circle adds flats to the key signatures. Each note around the circle as you move counter-clockwise is a perfect fourth apart. The Circle of Fifths can also act as the Circle of Fourths when moving counter-clockwise around the circle. The minor keys work in the same way, starting with A minor. If you keep ascending fifths, you’ll visit all twelve notes in the chromatic scale and land back on C major. Move up another fifth, and you get D major, which has two sharps. For example, the next key a fifth above C major is G major. Each key moving clockwise from C major adds a sharp. The Circle of Fifths starts with C major at the top because it has no sharps or flats. Instead, each note around the circle as you move clockwise is a perfect fifth apart. However, the notes are not in chronological order. These letters also represent the twelve notes in a chromatic scale. The uppercase letters refer to major keys, and the lowercase letters refer to their relative minor keys. The outer section of the circle shows the key signatures and how many sharps or flats are in each key (known as accidentals). This relation means they share the same sharps (shown as #) and flats (shown as♭) in their scales. Relative major and minor keys have the same key signatures. Learning how to read the Circle of Fifths will help you understand the relationship between major keys and their relative minor keys.
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